Porcelain is a spiritual and natural exploration of Peach PRC’s identity—both artistic and personal. An authentic and genuine recount of a rediscovery of self that keeps the elements that have made Peach the artist she is. Through heartfelt lyrics and dreamy pop production, Peach PRC showcases a thoughtful debut album. 

Those familiar with Peach PRC were surprised at the change in branding for the aesthetic of her new era. Pictured in the forest, using plants for her make-up, it was a distant cry from the pink wigs and fairy wings she wore on stage until then. Despite the shock of the audience, I found the change wasn’t drastic. It feels more like a refinement that allows her to feel closer to who she is beyond the artistic choices that have defined her until now. 

Peach PRC is an Australian artist that found popularity through social media. What put her on the radar is “God Is A Freak,” a queer anthem that points out the religious hypocrisy on the LGBTQ+ community. She mostly released singles which she assembled into a collection, as well as an EP titled Manic Dream Pixie (2023). 

Porcelain marks seven years since her first single, a long time coming for the artist who seems to have figured out where she stands and where she wishes to go next. When it comes to the sound, her old tracks serve as stepping stones for the new record. Noticeable growth accompanies the journey onto this new chapter, but the essence of what Peach built until now is unmistakable. The disco-pop, carefree yet vulnerable atmosphere, shines on this new album. 

A calming synth gives the start signal on her opening track, “Piper.” A reflection on what is better for her, “Piper” seems to confront the change head on. Through the soft electronic and synth production, the atmosphere feels like a dream that expands to become reality. Peach sings “It’s happening / It’s like paradise here / And now I can never leave, I fear” as her angelic vocals distort to create a wider dimension. 

The transition into “Eucalyptus” is as natural as the title of the track. Reflecting on her previous success with “God Is A Freak,” she details her discovery of spirituality outside of organised religion. Wonder and bliss are at the forefront of this discovery, as she marvels at the greatness of nature. The subject is at the core of this album. She puts the weight she carries down at the feet of this eucalyptus tree, finding meaning in the greater picture. 

“Pink” begins with bird sounds and strings. The production rewinds time as she narrates a part of her story. Her established image of a pink fairy starts to make sense as she unveils the emotional attachment to the color. Her storytelling is vivid and the imagery she paints through her lyricism shows her songwriting skills. “Pink” reveals the inner work that took place in order for this album to exist through vulnerable lyrics and upbeat production. The combination became her signature throughout the years. 

“Hold It For Her” is the focus track along with the release of the album. She takes the concept of her future self’s return to give her some of her future grief. The message is that for her, anticipation of the hurt makes it easier to hold. It’s another upbeat track that feels deeply emotional through the subject it covers, along with Peach’s expressive vocals. 

The artist allows the listeners a moment of reprieve with “Back to You.” It is a lighter track that pokes fun at the deep attachment that lesbians have to each other. She covers the phenomenon of not being over your ex despite being with someone new. To an outsider of the community, it might seem slightly sad, but as a lesbian I can’t help but find it amusing. 

“Miss Erotica” was the first single off the record before she announced the album. Having a background as a pole dancer, Peach pays a tribute to the sex workers and the LGBTQ+ community. It’s a fast tempo track that makes you want to dance, highlighting the sassy and confident side of the profession.  

“Oasis” dives into the core of Porcelain—her admiration for the beauty of the world that surrounds us. The spirituality of being in touch with nature shines throughout the album and it comes to a peak in this pop-driven anthem. In a time when it’s difficult to see the charms of the natural world, Peach reminds us there’s an oasis. 

“Celebrity Crush” sounds almost taken off her previous project, Manic Dream Pixie. With high energy production and urgency in her vocals, she shows that she’s still the artist that everyone fell in love with. Another common experience for lesbians stands out here. Seeing your friend crush on a man and wonder why she’s not crushing on you instead is not unfamiliar. The bridge leading to the last chorus gives a gratifying moment of release.

We take a back step on the energy with “I Wouldn’t Mind.” She faces the prejudice and misconception around queer love as she sings “How could a love this soft be something wrong?”. She offers to fight whoever might be against this same-sex relationship. This seems to be anchored in the other person’s worries and fears, which makes it the closest we’ll get on the album to a love song along with “Out Loud.” The outro is an acapella recording of Peach’s voice, turning it into a sadder and more vulnerable moment. 

While “Miss Erotica” focused on the highlights of sex work, “The Palace” shows the difficult sides. A personal recount of Peach’s past, she goes into the reasons why she went towards that career. From the verses which focus on vivid details to paint a picture, we’re propulsed onto the chorus which takes a grandiose dimension. The phrase “They don’t know my real name” is repeated. She draws a connection between her artist name which was her stripper name, and the title of the album itself, Porcelain. 

Moving onto “Out Loud,” she puts into words the complexity of dating someone who isn’t yet out. While it’s undeniable that there’s valid reasons why someone might be scared to take that step, being in a secret relationship can be damaging as well. The passion in her voice as she shows understanding, but can’t help but be hurt by the lack of visibility, makes “Out Loud” beyond touching.

The closing track “Shirley Barber” references an author of fairy books. Peach wrote this song from the perspective of a fairy in the woods watching her grow. The growth that it took to reach this point in the record is apparent. This feels like a continuation of her single “Dear Inner Child,” as well as a reference to the chapter of her artistry that she moved on from. Her interpretation feels soft and loving, a warm perspective on a younger version of herself. 

Peach PRC’s album goes to the origins of the experiences that made her the person she is nowadays. She creates a well-rounded picture to get to know the person behind the name. She keeps her signature sound, yet there’s growth and cohesiveness in the production. The maturity that she has reached with Porcelain makes for a remarkable debut album. 

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